Cather Studies, Volume 12

2020

Author: Cather Cather Studies

Publisher: U of Nebraska Press

ISBN: 9781496219220

Category: Literary Criticism

Page: 240

View: 699

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Over the five decades of her writing career Willa Cather responded to, and entered into dialogue with, shifts in the terrain of American life. These cultural encounters informed her work as much as the historical past in which much of her writing is based. Cather was a multifaceted cultural critic, immersing herself in the arts, broadly defined: theater and opera, art, narrative, craft production. Willa Cather and the Arts shows that Cather repeatedly engaged with multiple forms of art, and that even when writing about the past she was often addressing contemporary questions. The essays in this volume are informed by new modes of contextualization, including the increasingly popular view of Cather as a pivotal or transitional figure working between and across very different cultural periods and by the recent publication of Cather's correspondence. The collection begins by exploring the ways Cather encountered and represented high and low cultures, including Cather's use of "racialized vernacular" in Sapphira and the Slave Girl. The next set of essays demonstrates how historical research, often focusing on local features in Cather's fiction, contributes to our understanding of American culture, from musicological sources to the cultural development of Pittsburgh. The final trio of essays highlights current Cather scholarship, including a food studies approach to O Pioneers! and an examination of Cather's use of ancient philosophy in The Professor's House. Together the essays reassess Cather's lifelong encounter with, and interpretation and reimagining of, the arts.

Cather Studies, Volume 13

2021-07

Author: Cather Cather Studies

Publisher: U of Nebraska Press

ISBN: 9781496225153

Category: Literary Criticism

Page: 372

View: 593

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Willa Cather wrote about the places she knew, including Nebraska, New Mexico, New York, and Virginia. Often forgotten among these essential locations has been Pittsburgh. During the ten years Pittsburgh was her home (1896-1906), Cather worked as an editor, journalist, teacher, and freelance writer. She mixed with all sorts of people and formed friendships both ephemeral and lasting. She published extensively--and not just profiles and reviews but also a collection of poetry, April Twilights, and more than thirty short stories, including several collected in The Troll Garden that are now considered masterpieces: "A Death in the Desert," "The Sculptor's Funeral," "A Wagner Matinee," and "Paul's Case." During extended working vacations through 1916, she finished four novels in Pittsburgh. Cather Studies, Volume 13 explores the myriad ways that these crucial years in Pittsburgh shaped Cather's writing career and the artistic, professional, and personal connections she made there. With contributions from fourteen well-known Cather scholars, this collection of essays recognizes the importance Pittsburgh played in Cather's life and work and deepens our appreciation of how her art examines and elucidates the human experience.

Cambridge Yearbook of European Legal Studies, Vol 12, 2009-2010

2010-12-18

Author: Catherine Barnard

Publisher: Bloomsbury Publishing

ISBN: 9781847316219

Category: Law

Page: 566

View: 333

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The Cambridge Yearbook of European Legal Studies provides a forum for the scrutiny of significant issues in EU Law, the law of the European Convention on Human Rights, and Comparative Law with a 'European' dimension, and particularly those issues which have come to the fore during the year preceding publication. The contributions appearing in the collection are commissioned by the Centre for European Legal Studies (CELS) Cambridge, a research centre in the Law Faculty of the University of Cambridge specialising in European legal issues. The papers presented are at the cutting edge of the fields which they address, and reflect the views of recognised experts drawn from the University world, legal practice, and the institutions of both the EU and its Member States. Inclusion of the comparative dimension brings a fresh perspective to the study of European law, and highlights the effects of globalisation of the law more generally, and the resulting cross fertilisation of norms and ideas that has occurred among previously sovereign and separate legal orders. The Cambridge Yearbook of European Legal Studies is an invaluable resource for those wishing to keep pace with legal developments in the fast moving world of European integration. INDIVIDUAL CHAPTERS Please click on the link below to purchase individual chapters from Volume 12 through Ingenta Connect: www.ingentaconnect.com SUBSCRIPTION TO SERIES To place an annual online subscription or a print standing order through Hart Publishing please click on the link below. Please note that any customers who have a standing order for the printed volumes will now be entitled to free online access. www.hartjournals.co.uk/cyels/subs Editorial Advisory Board: Albertina Albors-Llorens, John Bell, Alan Dashwood, Simon Deakin, David Feldman, Richard Fentiman, Angus Johnston, John Spencer Founding Editors: Alan Dashwood and Angela Ward

Cather Studies, Volume 7

2007-11-01

Author: Cather Studies

Publisher: University of Nebraska Press

ISBN: 0803260113

Category: Literary Criticism

Page: 372

View: 229

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Volume 7 of the Cather Studies series explores Willa Cather’s iconic status and its problems within popular and literary culture. Not only are Cather’s own life and work subject to enshrinement, but as a writer, she herself often returned to the motifs of canonization and to the complex relationship between the onlooker and the idealized object. Through textual study of her published novels and her behind-the-scenes campaign and publicity writing in service of her novels, the reader comes to understand the extent to which, despite her legendary claims and commitment to privacy, Willa Cather helped to orchestrate her own iconic status.