Popular Culture and Political Change in Modern America

1991-01-01

Author: Ronald Edsforth

Publisher: SUNY Press

ISBN: 0791407659

Category: Social Science

Page: 236

View: 934

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This book is a collection of essays dealing with the ways in which specific popular entertainment media, mass consumer products, and popular movements affect politics and political culture in the United States. It seeks to present a range of possibilities that reflect the dimensions of the current debate and practice in the field. Some of the contributions to this volume place popular culture media such as films, music, and books in a broad social context, and several articles deal with the historical roots of twentieth-century American popular culture. Popular culture is treated as categorically neither good nor bad, in either political or aesthetic terms. Instead, the essays reflect the editors' convictions that popular culture is simply too important to be ignored by those academics who treat politics and its history seriously. The collection also shows that studying popular or mass culture in a historical way illuminates a variety of possible relationships between popular culture and politics.

Popular Culture and the Civic Imagination

2020-02-04

Author: Henry Jenkins

Publisher: NYU Press

ISBN: 9781479869503

Category: Social Science

Page: 376

View: 562

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How popular culture is engaged by activists to effect emancipatory political change One cannot change the world unless one can imagine what a better world might look like. Civic imagination is the capacity to conceptualize alternatives to current cultural, social, political, or economic conditions; it also requires the ability to see oneself as a civic agent capable of making change, as a participant in a larger democratic culture. Popular Culture and the Civic Imagination represents a call for greater clarity about what we’re fighting for—not just what we’re fighting against. Across more than thirty examples from social movements around the world, this casebook proposes “civic imagination” as a framework that can help us identify, support, and practice new kinds of communal participation. As the contributors demonstrate, young people, in particular, are turning to popular culture—from Beyoncé to Bollywood, from Smokey Bear to Hamilton, from comic books to VR—for the vernacular through which they can express their discontent with current conditions. A young activist uses YouTube to speak back against J. K. Rowling in the voice of Cho Chang in order to challenge the superficial representation of Asian Americans in children’s literature. Murals in Los Angeles are employed to construct a mythic imagination of Chicano identity. Twitter users have turned to #BlackGirlMagic to highlight the black radical imagination and construct new visions of female empowerment. In each instance, activists demonstrate what happens when the creative energies of fans are infused with deep political commitment, mobilizing new visions of what a better democracy might look like.

Left Intellectuals & Popular Culture in Twentieth-century America

1996

Author: Paul R. Gorman

Publisher: UNC Press Books

ISBN: 0807845566

Category: Social Science

Page: 260

View: 295

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Since the late nineteenth century, American intellectuals have consistently criticized the mass arts, charging that entertainments ranging from popular theater, motion pictures, and dance halls to hit records, romance novels, and television are harmful to

Movie Censorship and American Culture

2006

Author: Francis G. Couvares

Publisher: Univ of Massachusetts Press

ISBN: 1558495754

Category: Performing Arts

Page: 356

View: 475

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From the earliest days of public outrage over "indecent" nickelodeon shows, Americans have worried about the power of the movies. The eleven essays in this book examine nearly a century of struggle over cinematic representations of sex, crime, violence, religion, race, and ethnicity, revealing that the effort to regulate the screen has reflected deep social and cultural schisms. In addition to the editor, contributors include Daniel Czitrom, Marybeth Hamilton, Garth Jowett, Charles Lyons, Richard Maltby, Charles Musser, Alison M. Parker, Charlene Regester, Ruth Vasey, and Stephen Vaughn. Together they make it clear that censoring the movies is more than just a reflex against "indecency," however defined. Whether censorship protects the vulnerable or suppresses the creative, it is part of a broader culture war that breaks out recurrently as Americans try to come to terms with the market, the state, and the plural society in which they live.

Playing for Change

2015-11-17

Author: Rob Rosenthal

Publisher: Routledge

ISBN: 9781317254164

Category: Social Science

Page: 320

View: 589

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Although music is known to be part of the great social movements that have rocked the world, its specific contribution to political struggle has rarely been closely analyzed. Is it truly the 'lifeblood' of movements, as some have declared, or merely the entertainment between the speeches? Drawing on interviews, case studies and musical and lyrical analysis, Rosenthal and Flacks offer a brilliant analysis and a wide-ranging look at the use of music in movements, in the US and elsewhere, over the past hundred years. From their interviews, the voices of Pete Seeger, Ani DiFranco, Tom Morello, Holly Near, and many others enliven this highly readable book.

Icons of American Protestantism

1996-01-01

Author: David Morgan

Publisher: Yale University Press

ISBN: 0300063423

Category: Art

Page: 292

View: 650

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Although American Protestants often claim that they are opposed to the use of devotional images in their religious life, they in fact draw on a vast body of religious icons to disseminate confessional views, to teach, and to celebrate birthdays, baptisms, confirmations, and sacred holidays. This fascinating book focuses on the production, marketing, and reception of one such set of religious illustrations, the art of Warner Sallman (1892-1968), whose 1940 Head of Christ has been reproduced an estimated five hundred million times. Five scholars--three art historians, a church historian, and a historian of material culture--investigate various aspects of Sallman's career and art, in the process revealing much about the role of imagery in the everyday devotional life of American Protestants since the 1940s. The chapters examine Sallman's work in terms of the visual sources, media, and forms of use that shaped its making; its mass production, marketing, and distribution by publishers and vendors; and the commercial nature of Sallman's training and his work as an illustrator. Other chapters explore the reception of his religious imagery among those who admired it and saw in it a vision of the world as they would have it exist; the religious and theological context of conservative American Protestantism in which the imagery flourished; and its critical reception among liberal Protestant intelligentsia who despised Sallman's work and what it represented in popular Christianity. By placing Sallman's art in theological, ecclesiastical, and aesthetic perspective, the book sheds light on the evolving shape of twentieth-century American evangelicalism and its influence on modern American culture.

Political Satire, Postmodern Reality, and the Trump Presidency

2018-12-11

Author: Mehnaaz Momen

Publisher: Rowman & Littlefield

ISBN: 9781498592758

Category: Political Science

Page: 358

View: 827

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This book is an in-depth analysis of the phenomenon of the takeover of politics by entertainment. The author looks for answers in the parallel evolution of satire, the media, and politics, and how each has influenced the other and the implications of this interconnectedness for political discourse.

Cecil B. DeMille and American Culture

1994-12-02

Author: Sumiko Higashi

Publisher: Univ of California Press

ISBN: 0520914813

Category: Performing Arts

Page: 284

View: 297

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Cecil B. DeMille and American Culture demonstrates that the director, best remembered for his overblown biblical epics, was one of the most remarkable film pioneers of the Progressive Era. In this innovative work, which integrates cultural history and cultural studies, Sumiko Higashi shows how DeMille artfully inserted cinema into genteel middle-class culture by replicating in his films such spectacles as elaborate parlor games, stage melodramas, department store displays, Orientalist world's fairs, and civic pageantry. The director not only established his signature as a film author by articulating middle-class ideology across class and ethnic lines, but by the 1920's had become a trendsetter, with set and costume designs that influenced the advertising industry to create a consumer culture based on female desire. Drawing on a wealth of previously untapped material from the DeMille Archives and other collections, Higashi provides imaginative readings of DeMille's early feature films, viewing them in relation to the dynamics of social change, and she documents the extent to which the emergence of popular culture was linked to the genteel tradition.

Autowork

1995-01-01

Author: Robert Asher

Publisher: SUNY Press

ISBN: 079142409X

Category: Business & Economics

Page: 320

View: 970

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An anthology of original essays on the history of work experience in automobile factories, from 1913 to the present.

Muting Israeli Democracy

2010-10-01

Author: Amit M. Schejter

Publisher: University of Illinois Press

ISBN: 9780252092350

Category: Language Arts & Disciplines

Page: 216

View: 355

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The result of years of critical analysis of Israeli media law, this book argues that the laws governing Israeli electronic media are structured to limit the boundaries of public discourse. Amit M. Schejter posits the theory of a "mute democracy," one in which the media are designed to provide a platform for some voices to be heard over others. While Israel's institutions may be democratic, and while the effect of these policies may be limited, this book contends that free speech in Israel is institutionally muted to ensure the continued domination of the Jewish majority and its preferred interpretation of what Israel means as a Jewish-democratic state. Analyzing a wide range of legal documents recorded in Israel from 1961 to 2007, Muting Israeli Democracy demonstrates in scrupulous detail how law and policy are used to promote the hegemonic national culture through the constraints and obligations set on electronic media.

In Search of the Black Fantastic

2008-06-06

Author: Richard Iton

Publisher: Oxford University Press

ISBN: 0199720835

Category: Social Science

Page: 432

View: 518

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Prior to the 1960s, when African Americans had little access to formal political power, black popular culture was commonly seen as a means of forging community and effecting political change. But as Richard Iton shows in this provocative and insightful volume, despite the changes brought about by the civil rights movement, and contrary to the wishes of those committed to narrower conceptions of politics, black artists have continued to play a significant role in the making and maintenance of critical social spaces. Iton offers an original portrait of the relationship between popular culture and institutionalized politics tracing the connections between artists such as Paul Robeson, Lorraine Hansberry, Richard Pryor, Bob Marley, and Erykah Badu and those individuals working in the protest, electoral, and policy making arenas. With an emphasis on questions of class, gender and sexuality-and diaspora and coloniality-the author also illustrates how creative artists destabilize modern notions of the proper location of politics, and politics itself. Ranging from theater to film, and comedy to literature and contemporary music, In Search of the Black Fantastic is an engaging and sophisticated examination of how black popular culture has challenged our understandings of the aesthetic and its relationship to politics.

The Spirit of the Sixties

2013-10-18

Author: James J. Farrell

Publisher: Routledge

ISBN: 9781136664915

Category: History

Page: 368

View: 570

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The Spirit of the Sixties explains how and why the personal became political when Sixties activists confronted the institutions of American postwar culture. The Spirit of the Sixties uses political personalism to explain how and why the personal became political when Sixties activists confronted the institutions of American postwar culture. After establishing its origins in the Catholic Worker movement, the Beat generation, the civil rights movement, and Ban-the-Bomb protests, James Farrell demonstrates the impact of personalism on Sixties radicalism. Students, antiwar activists and counterculturalists all used personalist perspectives in the "here and now revolution" of the decade. These perspectives also persisted in American politics after the Sixties. Exploring the Sixties not just as history but as current affairs, Farrell revisits the perennial questions of human purpose and cultural practice contested in the decade.

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